Ready, Set, Scream! Director Yeon Sang-ho Revitalizes the Undead in "Colony"
- Jul 28, 2026
Zombie enthusiasts, rejoice! South Korean director, Yeon Sang-ho, the genius behind “Train to Busan,” is delivering another pulse-pounding odyssey into the land of the undead, but with a major twist. This time, it's not just about outrunning zombies, it's about outsmarting them. Buckle up for the exhilarating ride that the world of cinema has aptly dubbed the "Yeoniverse."
"Colony," the thrill ride unleashed at the grand 25th New York Asian Film Festival, features the captivating return of silver-screen queen Gianna Jun (or Jun Ji-hyun, for the purists) after an 11-year lull. She's backed by the versatile Koo Kyo-hwan and Ji Chang-wook. U.S. theaters, gear up, as the film will hit August 28, courtesy of Well Go USA.
Gianna plays the riveting role of Kwon Se-jeong, an unassuming biotech professor turned action hero, stuck in a high-rise building as a diabolical virus turns humanity into… well, let's just say, not your classic shuffling zombies. Brace yourself for an undead evolution that will send chills down your spine.
Yeon, unlike a conventional horror maestro, crafts his zombies differently. Forget lone walkers, these spooky entities share a hive mind, learning and upgrading as a group. It's zombie 2.0! When one zombie learns a trick, they all do. Isn't that fun (and terrifying)?
"I wanted to convey a different perspective on zombies by creating a colony," explains Yeon in a chat with Variety. He choreographed the undead with break-dancers in "Train to Busan," but for "Colony," he opted for the whirling finesse of modern dance groups to emphasize their collective nature.

The idea of a collective organism guided Yeon's approach to the film. He was intrigued by how organisms mutate to survive. Similarly, the film grapples with imperfections in communication, which, according to the film's villain Seo Young-chul (Koo Kyo-hwan), are the root of all conflicts. Unlike Kyo-hwan, Yeon believes that in spite of our flawed communication, our unique individualism makes us human.
Our hero, Se-jeong, embodies this strength of individuality. "Kwon Se-jeong is unconventional but confident," says Yeon, expressing his admiration for Gianna's proficiency in portraying offbeat characters. He adds, "She has shifted the paradigm for female characters multiple times."
The thrilling saga of "Colony" doesn’t end where you think, hinting that the fight against the infected might just be getting started. While a sequel could be on the cards, Yeon has his eyes on the video game world, talking about a potential game adaptation with Smilegate, the film's co-producer and game developer.
"Invasion of the Body Snatchers,” “28 Years Later” and “The Last of Us” served as the muse for "Colony," reveals Yeon. When asked about Hollywood escapades, Hollywood allure doesn't tempt Yeon or Gianna. The fiercely patriotic pair feel the "most Korean is what is most global," preferring to showcase their talent in their homeland.
Closing thoughts, anyone? Remember "Train to Busan" that gave Korea's horror genre a global recognition about a decade ago? The torch has been passed. The zombies of "Colony" are not just faster, stronger, they're smarter. A nightmare that evolves – how's that for thrills?